7/9/13

Floating into the Maze

  I'm only 4 months late in talking about this trip.  The following jaunt spanned the end of March and ended in early April - typically a bit before the spring run-off (which was oh so short/non-existent this year) and, more importantly, before the crowds.
   We dropped in at a lonely Ruby Ranch, two twelve foot rafts and a tandem ducky.  The nip of a cold winter in the four corners still could be felt, but so to could the cutting edge of seasonal transition.  Spring is a magical time to travel in these parts.


The river was anemic, flows below typical and the impending "melt" did little for the Colorado basin this year.  Another few years like this and the turbines will stop spinning at Glen Canyon.

Like the changing season, it takes a little while to get into the mindset of a shoulder season float.  Transitioning from the daily hustle and bustle (how insignificant it seems) to a routine of loose logistics and flexible itineraries gives one pause to the absurdity of so much of our daily lives.


The first "section" of this trip entailed drifting through Labyrinth Canyon.  Initially. the passing farmlands gave way to ever increasing sandstone walls.  Little current and no whitewater made for lazy slow miles with plenty of time for gawking. 


Having read Colin Fletcher's account of his solo source to sea Green River/Colorado trip while waiting the winter out on the reservation I can understand why he identified so much with the stretch below Desolation Canyon up to Cataract Canyon.  Taking his trip solo late in life with nearly no whitewater experience the rapids of Lodore Canyon to the north (and to a lesser extent Desolation Canyon) and Cataract Canyon to the south garnered his full attention and focus pre trip.  As a result, the quiet interlude of Labyrinth and Stillwater provided a much needed aesthetic and spiritual respite during his journey.  A welcome and cherished surprise.

3 Blue Herons

The camping on the upper stretch was quite nice and abundant.  Many spots high above the river offered easy carry with substantial views.  Tons of side hiking makes return trips necessary.


Half way to Mineral Bottom lies the "River Registry."  An assortment of many (historical) petroglyphs smattered all over a nice chunk of Navajo sandstone on canyon left.  Many of them are historical dating back to the late 1800's and some requiring and incredible amount of tedious labor.  While fascinating, I find the aesthetic lacking in comparison to the work of the Anasazi.


Onward!



Mineral Bottom (nice take-out/access) denotes the first change.  The end of Labyrinth Canyon and the start of Stillwater Canyon.  Stillwater runs through the heart of the Island in the Sky district of Canyonlands.  The "White Rim" formation can be seen in its humble beginnings in this shot, Buttes of the Cross in the distance.


This new formation requires closer inspection as it grows.


And more thorough examination.


Despite cutting its path through a National Park this section of the Green makes for tough camping.  The Tamarisk have so thoroughly invaded all shore line that sand bars offered the only respite for stopping.  The Park Service unfortunately has quite the daunting task on their hands in ridding the banks of this invasive plant.

Wall to wall tammies - notice the required sand-bar dodging due to feeble flows
We press on, and as we make our way south the river presents us with a first in all our years of rafting.  Riverside Anasazi ruins.  It is quite a special feeling to float by these structures and view them from our boat, and we soon are checking every alcove, our mind ever playing tricks on us.

Can you see it?
And another one.

A small tower in the crescent shaped crack half-way up the canyon wall.
Our last night above the Confluence provided for great entertainment.


The last ten miles of canyon before the Confluence of the Green and Colorado are particularly interesting/impressive. 


Eventually, after an arduous slog battling immense upstream winds with little current we reach the confluence.

The Green coming in on the L and the Colorado on the R
Just down river we approach Spanish Bottom, where we de-rig and transition from nine days of rafting and prepare for three days of backpacking.


We spend the latter half of the first day getting gear ready for the return shuttle and sorting the hiking gear.  The next morning we shove off across Spanish Bottom, heading for the Dollhouse.


We find the trail up.


 
 Had I not known there had been a trail up the scree laden hillside I would not have believed it.  But a fine trail it was, and before you knew it we were standing at the entrance to the Doll House.


Picking our way through the chaotic formation we found a jeep road which lead to our jump-off point in the Maze.  We were treated to gorgeous light as the weather began to turn.  For my first time viewing this storied landscape I could not have asked for more.


We made our way to Chimney Rock and quickly bedded down on the sandstone to avoid the ensuing wind and rain.


After shelter was securely in place we fanned out in different directions to have a look around.


The dramatic light made for an incredibly memorable evening.  We tucked in just before dark, and when I woke up I had to rub my eyes to make sure what I saw and where I was were real.


Not a bad spot for breakfast.


Making our away along the Pete's Mesa Route/Jasper ridge made for easy walking and sustained incredible views.  Stopping just to take a gander was a frequent occurrence.


 Eventually we found the spot where we could access the innards of the Maze and make our way to Pictograph Fork.


Reaching the canyon bottom we trudged on in deep sand.  At the mouth of Pictograph fork we found a large spring and topped off our water supply.



Another bit of hiking brought us to the source of inspiration for this trip.  The Harvest Scene.


The life-sized anthropomorphs were unlike any we'd ever seen and had been on our collective life lists for some time.  A nice shady patch (tammies) directly across from the panel provided a great place to sit and contemplate.  We spent a large period of time here before the wind kicked up and ushered us back out of the canyon.

By the time we were back on the Mesa the winds were a-howling and rain looked like a real possibility.  We tucked in behind a large slab of rock and hunkered down for the night.


Despite the weather the views were anything but boring.  Here are the Chocolate Drops, silhouetted


The next morning we awoke to much of the same.  A large weather system was moving in and we took off for Spanish Bottom and the comforts of our VE-25.


When we reached the trail down to Spanish Bottom we were afforded dramatic views cross canyon to the Needles District of Canyonlands.  From this view it appeared that the storm was headed our way.


We had less than a quarter mile to go when the skies opened up and a violent rain thundered down.  We reached our base camp, threw out wet gear into the tent vestibules and battened down.


The next morning the jet boat arrived early and somehow we made all the gear fit.  Next time I do this trip will be in a kayak or a packraft.  All in all a wonderful 12 days spent with my folks.  A great preamble for things to come.








Read More

12/29/12

Happy 2013

A Time for Reflection


Sandstone Heart, Antelope Canyon.  Photo taken by Valonia Hardy

I often wonder how much of it is nearly a perceived reality, that of living in the “adult world,” but I find that time is measured differently as I get older.  My life is more confined by commitments, there are more boundaries imposed on my day-to-day existence, and as a result, true un-structured time seems to be at a premium.  The ensuing task oriented arrangement leads to a loss of simply being present, an act providing much enjoyment and fulfillment.

I began to realize this at the end of 2011 and desired to make a small lifestyle edit to enable me to recapture those essences.  One such revision was the simple act of reading.  Reading for pleasure seems to have escaped me since I was at university, burdened by the heavy science tomes that defined my studies.  Now free of those encumbrances I have somehow failed to pick the habit up again.  As a child I was a voracious reader – the beauty of truly free, unstructured time was a gateway for the exploration of curiosity.  Realizing this I assigned myself a very simple task for the year 2012, my first ever “New Year’s Resolution” as it were - to read at least one book per month for 12 months.  As 2013 approaches, I pause to reflect.

A byproduct of this exercise has been expanding my sphere of knowledge on a variety of subjects, some of which are directly linked to my daily life, but more importantly, it has taught me to slow down.  A seemingly simple act, that of reading, has facilitated the development of sustained periods of focus; an attribute much lacking in a world where our attention resembles more a braided river channel than a singularly flowing river.  There is no greater gift in life than time, and being free from (perceived?) tasks and simply observing its passage is a wondrous event.  I’ve only begun to realize this as the year comes to a close, that slowing down, getting rid of “to do lists,” canceling commitments that are not worth my energy, and generally allowing for more shapeless open time has been greatly beneficial. 

 Another year is destined to arise and fall; it is a subdued gift to simply observe its passage.  Find five minutes of unstructured time in your day to observe, to be aware.  Happy 2013 to all.


Read More

12/4/12

Echoes of Glen Canyon

Echoes of Glen Canyon
Admiring a place that I have been apprehensive to visit
           I was up in Moab for the tail end of November and felt as if I had stumbled onto a quiet surprise.  The town barely resembled its high season self when it becomes an odd conglomeration of ORV’ers, desert rats, backpackers, rafters, climbers, escapists etc.  No, November brought with an empty main street, ample parking room, and an underlying notion that the locals were glad to have their town returned to them
           I was hanging out with family in the morning at a small café and was reading the paper about the letter that was sent to President Obama by 100 outdoor related businesses requesting the creation of a new national monument.  The plan, known as Greater Canyonlands National Monument, detailed here would basically protect an additional 1.4 million acres stretching from Hanksville on the western border to Moab on the eastern border and from UT 95 on the south to roughly 15 miles of south of Green River to the north.


A map of the proposed monument
            I could write a whole piece about the politics of current issue, but I just want to briefly mention an interesting realization I made when thinking about this issue. 
            First, as someone who, echoing many of my peers, gets tired of tourists in Moab and other areas of the four corners in the “high seasons” (basically the whole year except winter) I find myself rethinking my previous attitude.  When on the trail or out exploring I am always looking for places free of people.   I can honestly say I have decided to stay at home with time off vs get outdoors because I didn’t want to deal with “the crowds.” 
Any and all people who enjoy the outdoors can empathize with this view.  But now, reading about the fight the outdoor industry is putting up to protect this truly special land from the likes of uranium miners, hydro-frackers, tar sand developers etc., I want to extend a huge THANK YOU to the omnipresent “crowds” that flood our national parks and public lands, particularly in SE Utah.  If it were not for these people and the industries that’ve sprung up to support them (mostly responsibly) then there would not currently even be a push to protect this truly unique part of the state. 
            As I sat in the warm November sun staring at Delicate Arch stretch upward in all its glory, having the whole place practically to myself, I thought about the people who travel from around the world to see this arch.  It is the archetypal image for the SW desert landscape.  I often complain about how Arches National Park is “ruined,” that the hike to Delicate Arch on most days resembles more of an anthill than a peaceful stroll.  I get selfish; I want it all to myself.  I get sick of waiting in lines, checking boxes, applying for permits to even be allowed to sleep on my “public lands.”  But then I ask myself, would there be a push to protect this area if no one came here?

Camster and I heading back from out vantage point
        In 2006, an estimated 19.3 non-residential tourists accounted for an estimated $5.87 billion in traveler spending in the state of Utah.  Additionally, this generated an estimated $467 million in state and local tax revenue.  Many of these visitors came to the state seeking outdoor recreation in some form.  In our political system, having that kind of capitol behind your movement allows you a voice to the highest level of government.
            Glen Canyon, before the dam, was called “The Place No-One Knew.”  It is understood that one reason that it went under is that it had few advocates.  Those who knew it were only the most hardcore desert rats, in search of the Holy Grail, the elusive people-less desert wilderness.  Without the large crowds that we all complain about, Glen Canyon was doomed.  It was only after the water began to back up that people got a glimpse and realized what was about to be drowned.  Hopefully the same is not destined for the Greater Canyonlands area.
 
Read More

8/28/12

The Shocking Truth about Photographic Workflows

 "There is nothing worse than a sharp image of a fuzzy concept." 
-  Ansel Adams





This is a post for all the technicians out there.  As photographers we strive for control.  We “pre-visualize,” use the zone-system when we expose film, have our own top secret development formulas for pushing and pulling exposure and, more recently, cling to calibrated monitors, printers, papers, cameras etc. to bring a “what you see is what you get” (WYSIWYG) sense of comfort to our image making.  But we do not live in a static world, and just as wet plates gave way to film and zone systems so too does the digital workflow to updated software and new tools.
At the same time, we lust after gear; new cameras, computers, filters, and software.  Photoshop and Lightroom are the standard-bearers of our trade.  We learn to live and work between updates as what took hours in CS4 can be accomplished in minutes in CS 6.  The natural extensions of the software we use, ICC profiles, calibrated monitors, and print drivers are all dialed in to serve the aesthetic of the images we are trying to make.  It takes work and it’ s a pain in the ass update, just as I can only imagine film photographers having to re-calibrate their film as more and more of it disappears from the market.  Our initial excitement when new pieces of software come out is soon met with the reality of redefining ones workflow.
I am friends with a wonderful photographer named Huntington Witherill.  He has deemed the update obsessed pace of the digital workflow the “hamster wheel of progress.”  He’s written about such ideas in publications like Lens Work.  His analogy is spot on.  Often times, the updates in gear, software, etc., serve as a source of frustration and can get in the way of doing and making our work.
I get caught up in this all too often.  Photoshop CS5 worked just fine for what I was doing and I had a process I had been using for years with no problems.  Somehow I became convinced that with the newest software (CS6) the quality of my images would improve, so I decided to install it.  Upon doing so I also had to update my print drivers and a variety of plug-ins I use which took the better part of a day.  After doing so I went to make a print in order to full-fill a web purchase and what do you know, the new print driver menu has completely changed and I can no longer print using my dedicated printer profile for the paper I use.  Further, I lost all of my saved printer pre-sets and could not print in advanced black and white mode. 
It took the better part of an entire day, a complete box of Ilford Galerie Silk paper, multiple phone calls and emails, and a pounding headache to finally resolve this issue and realize a new truth (with this update).  Control of color management in the new Epson print driver is f’d (in my opinion) and I have to completely re-work my “digital workflow” to accommodate this truth.  I lost two whole days, time that I could have been out shooting, printing, hiking, whatever, in order to upgrade to new software that I did not really need. 
It reminds me of an Ansel Adams quote, shown at the top of this post.  Often times, we are so obsessed about the background minutia of the photographic process (the tools, the gear, etc) that we begin to believe that having the latest and greatest can make boring or flawed images beautiful.  I’m ashamed to admit it, but like I said, I really had no reason to upgrade my software other than a desire to be able to use a few new tools that simplified my process a tad.  But at what expense?  New technology and new equipment cannot make bad photography good.  It can enhance what an artist is striving for (resolution, sharpness, tonal range, etc) but it cannot make flat lighting interesting or a lack of personal vision translate into a deeper frame.  It just can’t, and all my time wasted on the phone, in front of my monitor sending emails, surfing chat rooms etc. yesterday confirmed this. 
Get out and make images, the other stuff will fall into place.



Read More

8/22/12

The View from the Studio


The View from the Studio


My new workspace.  No cats allowed.

            The workspace, the studio, the shop.  Whatever you call it, you need one.  Setting aside a space for you to do your work as an artist is crucial for lack of distraction and an increased sense of focus/purpose.  I’ve struggled with a dedicated space to work as my “digital darkroom” sits upon a desk in the living room collecting mail, bills, and the clutter of daily life.  As a result, my photography has suffered.  I would still get out to shoot, but I was noticing that when I came home, the hard tedious part of bringing an image to life waned.  My creativity was stifled with the daily running of a household; clearing untidiness, removing cat hair from my keyboard and printer, and (worse) surfing the internet mindlessly. 
            What do to?  I decided to move my workspace to our guest room.  When I say, “guest-room” I mean a room that is occupied maybe once or twice a year when we have visitors.  What’s more is that this guest room has an unobstructed view out onto towering red sandstone and gently rolling hills (inspiration).  It’s also in the quietest part of the house, away from the kitchen, living room, and corridors of business.  The walls are bare and I can do what I want with them, I can close the door to keep the cats out, and I can sit quietly and listen to the wind, thunder (its monsoon season here on the reservation), or rain pound down upon the roof.  Mostly, I have carved out a small space separate from my daily task oriented life, and though it is still a new thing, I am finding it helps.
            I have friends who’re great photographers and I’ve always admired the spaces that they work in.  They’re all unique in their own way, reflecting the artistry of the resident, and serve as a source of inspiration in their own way.  Some are in cramped corners of a small room, others are completely disconnected from the house; but they all achieve the same thing.  Separation. 
            As an artist with a foot in two worlds it can, at times, be hard to straddle the line of professional self and creative self.  That is why carving out a detached space, whatever that be for you, is so important.  Make that space mirror your ambitions, fill it with pictures of people and things that inspire you (I just hung a large portrait of Ed Abbey above my computer and a poem titled “Advice from a River”, and am planning on doing more in the weeks to come).  Let it serve as a well for your creativity and passion.  Leave that space alone except when you doing something artistic.  I promise it will pay off. 
           
             
Read More

7/8/12

Little Colorado: Cameron to Confluence Part 5

Little Colorado Part 5:
River Camp to Confluence


        Waking up Saturday morning we are still unsure whether or not we are going to camp at the base of Salt Canyon and meet up with our friends from the hospital or make it a longer day and get to the confluence.  It is a nice mental deviation, just to have a choice, as the logistics of the past three days had been etched in stone for months.  We pack up our gear, clear the fire out, and take off.           

Saying good-bye to a wonderful camp
             The trail continues for some time on the left hand side of the canyon straddling the base of the red cliffs as it winds itself through the thickets of overgrowth.  Eventually it pops out at river’s edge and I strain my eyes before Jarrod points and exclaims that he can see the trail continuing on the other side.  The character of both canyon and river in this section (from our camp the night before to what ended up being Salt Camp) are the most beautiful section of the entire trip in my opinion.  It appears that the river is calmer here but takes on a pool and drop quality, as its long sections of calm flats begin and end in huge, river wide, travertine falls.   The walls seem redder, the river seems more turquoise in color, and the whole spectrum of color appears so much more vivid than at any time previously during the hike.  Taken in conjunction with the transformation from smallish rock stepped waterfalls to the huge travertine pour overs in front of us, I vow I would hike the same distance just to glimpse this section.  I am sure that was this canyon and its river located somewhere off the Navajo reservation it would be a must hike destination, bringing the hordes of people associated with places such as Havasu (which this place much resembles). 
                          
Canyon downstream from camp, typical of the river-wide travs
            We cross at a particularly wide though shallow section in the gorge and scramble out of an ankle deep mud pit up onto the shore on the other side.  Locating the trail again we head off downstream only to get off track, spend 45 minutes boulder hopping before Jarrod makes out the trail on the other side.  For the entirety of the two miles to Salt Camp the trail seems to stay on one side of the river, then just abruptly end, signifying a long crossing, repeating this trend multiple times.  It is something to cross in calm shallow turquoise waters mere feet above a thundering travertine waterfall and I caught myself stopping multiple times, mid-river, to take in what was in front of me and to look back up canyon to where we had come from.  If I had not known there had been a small but good trail I would have thought the section behind us was practically impassable.                    

Jarrod enjoying the view



         Eventually we find a good path that stays on canyon right for about half of a mile, eventually climbing a steep sandy hill and, looking down-canyon, can, for the first time, make out Salt Canyon entering the main gorge on river right.  We stop for a second to reflect on what this means.  This small side canyon signifies known territory, and, more importantly, safety.   We are overcome with a prideful giddiness and realize we have only two landmarks left to tick off on our trip, the Hopi Sipapu and the confluence itself.              

Typical crossing for this portion of the hike
             We press on and soon come to the wide mouth of Big Canyon on river right, just above Salt Canyon.  It was here that George Mancuso and Linda Brehmer were killed by an epic flash flood in 2001.  In fact (in typical desert environment flash flood fashion), though the weather was clear where they had been hiking, the flood had been so particularly violent that Mancuso’s body (himself a veteran hiker of Grand Canyon) would be found all the way downstream (roughly 6 miles) at the confluence.  Insignificance pervades my psyche as I stand at the mouth of this huge canyon.  Looking down its throat I try to imagine just what a flash flood here might look like while pondering the sheer raw power that this place possesses.  I realize that my ability to simply imagine the scale of such an event (like when reading the neat placards explaining the geologic evolution of places like Grand Canyon or Yosemite) is murky at best and all I can muster is a fuzzy concept.  I cannot compare it to something I have already seen or experienced because I have never seen or experienced anything close to it.  There is no mental scale that I possess to even begin to associate with such an event.  I reflect for a moment longer and we take off.       

Taking another break to admire the beauty of this section
              Rounding a gentle left hand bend in the canyon we plod a muddy trail and at once a familiarity invades our senses.  We are at Salt Camp.  I hear voices as I walk the small narrow trail up the flat sandy bench shaded by a large tree.  As I come into camp I am met with the curious gaze of several people.  No one speaks; they just seem to stare, wondering whom we are and where we are coming from.  I try to be friendly and explain that we have come down from Cameron and we have friends coming down the Salt Trail that we will be meeting with.  More silence.  I think one of the guys gave a little nod and mumbled an unconcerned “huh.” Eventually the individual sitting in the middle of the group looking rather pissed that we are invading his meditative experience (whom we come to nickname “beardface” or “the beard”) explains that they are with fish and wildlife and because of the prevailing winds their helicopter transport was unable to land and they are stranded for another day (what a tragedy).  Salt camp is rather small and this group is not particularly inviting, it took Jarrod and I all of ten seconds to look at each other and decide to head to the confluence.   

At the mouth of Big Canyon looking at Salt Canyon coming in on the right
             Downing some peanuts on a small beach below the camp we remorse about not seeing our friends tonight as we had imagined a triumphant meet-up, however, after the solitude of our previous days we don’t feel like sharing camp with a huge (and unfriendly) group.                                                   

Travs right above Salt Camp
            Pushing on, we snake our way through the trail that parts the eight-foot tall reeds swaying in the wind.  Eventually we emerge at the river but decide to take a small side trail to the right.  Following this for a while, the trail soon begins to peter out and we are ducking under bushes and climbing over large boulders.  Across the river we see a figure emerge on the bank and stare at us.  We claw our way back down to the river for a calm waist deep crossing.  As we emerge on the other bank the young man asks, “hey, do you guys want some water?”  Surprised, we take him up on his offer as he leads us back to a Fish and Wildlife camp set deep beneath an alcove high up off the river.  In camp, the four youngish people  ask us about our journey.  We explain where we came from and at this time an older, leathery looking gray haired man walks into camp.  We instantly pick up on the fact that he is the boss, or the “beard face,” of this lower camp.  Looking around we realize this is the camp where we had found potable water last year on our way back from the Sipapu and it is interesting to see if fully staffed.  We are again told the story of how the group is “stuck” for another day due to high winds canceling their heli-vac.  I glance over at one of the two tables set up in the shade beneath the overhang and see fresh pink fish on a plate by a knife.  About the time that I spy this treat, one of the volunteers, sensing my lust for real food sees this and shuffles it away.  The group is generally friendly, though the old man, now titled “Old timer” to Jarrod and I, seems hesitant to chat.  We take them up on their offer, refill our waters, and head out.                                   

The view back up-canyon
             The trail heading towards the confluence only gets bigger and more “trail-like” as we make our way downstream.  We figure it must be because many of the rafters stopping at the confluence, a popular spot for commercial rafting trips, come up this far into the canyon to see the Hopi Sipapu.                                                          
                About forty-five minutes after leaving the Fish and Wildlife camp we come to the Sipapu.  It is a particularly special moment for me as I missed out on making it down to this point the previous year.  Jarrod has already seen it and scouts the bank for salt deposit, even tasting a bit.  Though I am burning to get to the confluence, I realize how special it is to be at this place and decide to take the time, ford the river, and get a closer look.  From a distance, and if one did not know better, the Sipapu appears to be a strange apparition, nothing more than a rounded pile of red dirt sitting at the base of a large canyon wall.  In reality, this is a place of great spiritual significance for the Hopi people.  It represents their birthplace; the small recessed bubbling hole overlooking the turquoise waters at the foot of this deep red rocked canyon symbolizes the portal through which their ancient ancestors first emerged to enter the present world.   It is a powerful moment to stand near it and reflect on its importance.                                                                                    
The crossing to the Sipapu
              I cross back over the river to find Jarrod sitting under a nicely shaded spot with pack off.  We are aware that if we get too comfortable now the day will slip away and so decide to take off.  For the next four miles the trail goes away from and stays up off the river.  It is not particularly pretty and the afternoon heat is sweltering as it is reflected off the loose white sand at our feet.  The hiking becomes monotonous again as we miss the cool aesthetic comfort hiking near the river brings us.  We find a deeply shaded space where the trail finally rejoins the path of the river and take our packs off.  We are both sweating profusely and the time spent mindlessly walking with little inspiration has left us drained.  I check the topos and see that around the huge left hand bend in front of us is the confluence.  We chug out water and head out for the final push.                                                 

The Sipapu looking downstream
        As the canyon begins to curve we see large collections of camping gear arranged into nice neat piles.  We looked around for the occupants of what had to be the fourth and final Fish and Wildlife camp but they were nowhere to be seen.  We would learn later that we were supposed to cross the river (from left bank to right bank) here, but the trail was still strong so we continued on.                                                                                  
Fish and Wildlife gear
               Eventually we start to climb up above the river skirting a fluted rock shelf as we looked down to see hordes of rafters enjoying the warm waters of the Little Colorado.  It is a bit of a shock to the system to see so many people gathered in one area, but the realization that we are near the confluence quells any negative feelings we have.  We continue to climb and eventually find a good trail leading back down to the river.  We walk a little further and the trail disappears completely into a patch of tall reeds.  We are ravenous to get to the confluence and hack our way through them, coming out onto a rocky ledge on the downstream side of the confluence.  We follow the ledge for a bit before we realize it is not the right way and that we need to be on the upstream side on the confluence to access good cold water from the Colorado.                                                                                                            
View up-canyon from the rising trail
             We scramble back down to the island and look for a place to cross.  Hiking across the gravelly patch separating the upstream side of the confluence from the downstream side we come out to a spot overlooking a smooth, fast, very deep turquoise tongue roughly fifty feet wide separating us from the most upstream bank.  I am fed up at this point with our difficulties reaching the other shore, but Jarrod is calm and collected and as a group we decide we need to cross here.  We are slightly worried about swimming this section; with its strong current it brings the small possibility of us being swept out to the main body of the Colorado.  As a result, we decide, through much consternation, to take the time and blow up the green pool floats for one last hurrah.   It seems silly to me that we spend what seemed like forever blowing up the tubes to cross such a small section, but they seem to reassure us, making our decision more formal I get mine blown up and walk to the drop off (waist deep) at the edge of the current, as Jarrod, who has already crossed, looks on.  I kick off and with a couple slaps of my legs come up on the other side.                

Jarrod pondering the finer points of what would be our last inner-tube assisted crossing
         We climb up on to the shore and dropping our packs under some shade survey our surroundings.  From where we are standing we have a great view of the confluence; the LCR and its warm turquoise waters flowing gently into the cool, dark green swift currents of the Colorado.  We are here.  The convergence of water in front of us, housed by Grand Canyon National Park proper, represents our destination, our turn around point, and we take a second to let it sink in.

                                                                                            
The confluence!!
        Since the beginning of the trip, even in the initial planning phases, Jarrod and I harbored a secret desire to score some cold beer from a rafting group at the confluence.  Standing on the shore drying off we look back up canyon and see the commercial rafting trip clientele heading back toward their large pontoon boats.  They ask us about our trip, want to know what we are doing out here and how we are going to get back.  We talk for a bit and then two of the women we are in conversation ask us to turn around and begin peeing in the river we are to filter our water out of.               
    
The awesome commercial group
            Turning our backs we see three individuals heading towards the boats; two very fit women and one fit tanned bearded man.  We know instantly that these are the river guides, and, more importantly, the possessors of cold beer.  Being a whitewater boater myself, I am unsure of the kosher rules when it comes to commercial groups and alcohol supply.  Once we enter into conversation though the guides are enthusiastic to hear about our trip and are super friendly; one of them, after talking to her, actually turns out to be Navajo and from Fort Defiance, the small reservation town where Jarrod and I work.  What are the chances?  We hit it off and they take us back to the boats where they refill our waters (now empty) and provide us with 4 ice-cold PBR’s, 2 cokes, and fresh fruit right out of the cooler.  We thank them immensely and scramble up onto a rock ledge to watch them head out.       

The view of the Grand Canyon from our cheers spot
            They float by as the sun is getting low in the sky and we cheers them from a distance.  The ice cold beer tastes more amazing than we ever could have imagined and we both get a slight giggly buzz (2 PBR’s, really?) and reminisce about what it took to get here.  It is an absolutely joyous afternoon, sitting on a ledge above the Colorado River, at the confluence, watching the sun go down while drinking cold beer.               

Cheers!
            We make camp and make a small fire a short distance up-canyon from the Confluence in moderate proximity of two small backpacking groups who came down the Beamer Trail and whom will head back out the Tanner Trail.  We stay up late, watching the stars come alive over the open flame of our fire and take comfort in the fact that we only have six miles to hike tomorrow and that we will be meeting up with our friends.  For the second night in a row, sleep comes fast and effortlessly and is incredibly peaceful in nature. 

Late light in the canyon from camp


Jarrod getting nice and comfy









Read More
Theme images by Jason Morrow. Powered by Blogger.

Definition List

Popular Posts

© 2011 Beyond the Wall, AllRightsReserved.

Designed by ScreenWritersArena